Monday, December 11, 2006

Poe - 5 & 1/2 Minute Hallway

I live at the end of a 5 and 1/2 minute hallway
But as far as I can see you are still miles from me
In your doorway

And oh by the way
When the landlord came today
He measured everything
I knew he'd get it wrong
But I just played along
Cause I was hoping that would fix it all

But there's only so far I can go
When you're living in a hallway that keeps growing
I think to myself
5 more minutes and I'll be there

Inside your door
But there's more to this story
Than I've been letting on
There are words made of letters
Unwritten
And yes I forgive you
For leading me on

You can think of it like this
When you can't resist
I'm in your hallway standing on a cliff
And just when I think I've found the trick
I'm tumbling
Like an echo

'Cause there's only so far I can go
When you're living in a hallway that keeps growing
I think to myself
30 seconds and I'll be there

Sunday, October 29, 2006

Ani Difranco - Dilate

life used to be life-like
now it's more like show biz
i wake up in the night
and i don't know where the bathroom is
and i don't know what town i'm in
or what sky i am under
and i wake up in the darkness and i
don't have the will anymore to wonder
everyone has a skeleton
and a closet to keep it in
and you're mine
every song has a you
a you that the singer sings to
and you're it this time
baby, you're it this time

when i need to wipe my face
i use the back of my hand
and i like to take up space
just because i can
and i use my dress
to wipe up my drink
i care less and less
what people think
and you are so lame
you always disappoint me
it's kinda like our running joke
but it's really not funny
i just want you to live up to
the image of you i create
i see you and i'm so unsatisfied
i see you and i dilate

so i'll walk the plank and i'll jump with a smile
if i'm gonna go down
i'm gonna do it with style
and you won't see me surrender
you won't hear me confess
'cuz you've left me with nothing
but i've worked with less
and i learn every room long enough
to make it to the door
and then i hear it click shut behind me
and every key works differently
i forget every time
and the forgetting defines me
yeah that's what defines me

when i say you sucked my brain out
the english translation
is i am in love with you
and it is no fun
but i don't use words like love
'cuz words like that don't matter
but don't look so offended
you know, you should be flattered
i wake up in the night
in some big hotel bed
my hands grope for the light
my hands grope for my head
the world is my oyster
the road is my home
and i know that i'm better
i'm better off alone

Thursday, October 26, 2006

Jet - Timothy

Timothy, I took your place
Timothy, cause it's such a waste
Timothy, we found your spaceship
Timothy, it's the farthest you've ever flown

Never used your head
To find out what this whole thing meant

It's not what it seems
But it is
Timothy where have you been?
Timothy where have you been?

Timothy, where did you go?
Timothy, the boy can throw
Timothy, we found your spaceship
Timothy, did it hurt when you hit the ground

Never used your legs
To walk round in this whole big mess

It's not what it seems
But it is
Timothy where have you been
She cried in the kitchen
To let you go
Timothy where have you been

Missed your photo
Missed your birthday too
Missed your photo

It's not what is seems
But it is
Timothy where have you been

She cried in the kitchen
To let you go
Timothy where have you been

Missed your photo
Missed your birthday too
Missed your photo

Wednesday, October 25, 2006

This Too Shall Pass

One day Solomon decided to humble Benaiah ben Yehoyada, his most trusted minister. He said to him, "Benaiah, there is a certain ring that I want you to bring to me. I wish to wear it for the Sukkot festival, which gives you six months to find it."

"If it exists anywhere on earth, your majesty," replied Benaiah, "I will find it and bring it to you, but what makes the ring so special?"

"It has special powers," answered the king. "If a happy man looks at it, he becomes sad, and if a sad man looks at it, he becomes happy." Solomon knew that no such ring existed in the world, but he wished to give his minister some added humility.

Spring passed and then summer, and still Benaiah had no idea where he could find the ring. On the day before Sukkot, he decided to take a walk in one of the poorest quarters of Jerusalem. He passed by a merchant who had begun to set out the day's wares on a shabby carpet. "Have you by any chance heard of a special ring that makes the happy wearer forget his joy and the broken-hearted wearer forget his sorrows?" asked Benaiah.

He watched the elderly man take a plain gold ring from his carpet and engrave something on it. When Benaiah read the words on the ring, his face broke out in a wide smile.

That night the entire city welcomed in the holiday of Sukkot with great festivity. "Well, my friend," said King Solomon, "have you found what I sent you after?" All the ministers laughed and Solomon himself smiled.

To everyone's surprise, Benaiah held up a small gold ring and declared, "Here it is, your majesty!" As soon as Solomon read the inscription, the smile vanished from his face. The jeweler had written three Hebrew letters on the gold band: Gimel, Zayin, Yud, which begin the words "Gam zeh ya'avor - This too shall pass."

At that moment Solomon realized that all his wisdom and fabulous wealth and tremendous power were but fleeting things, for one day he would be nothing but dust. And his sorrows turned to joy and his joy to sorrows, and then both gave way to equanimity.

Sunday, October 22, 2006

Rilo Kiley - Portions for Foxes

There's blood in my mouth 'cause I've been biting my tongue all week
I keep on talkin' trash but I never say anything
And the talkin' leads to touchin'
and the touchin' leads to sex
and then there is no mystery left

And It's bad news
Baby I'm bad news
I'm just bad news, bad news, bad news

I know I'm alone if I'm with or without you
but just bein' around you offers me another form of relief
When the loneliness leads to bad dreams
and the bad dreams lead me to callin' you
and I call you and say "C'MERE!"

And it's bad news
Baby I'm bad news
I'm just bad news, bad news, bad news

And it's bad news
Baby it's bad news
It's just bad news, bad news, bad news

'Cause you're just damage control
for a walking corpse like me - like you

'Cause we'll all be
Portions for foxes
Yeah we'll all be
Portions for foxes

There's a pretty young thing in front of you
and she's real pretty and she's real into you
and then she's sleepin' inside of you
and the talkin' leads to touchin'
then touchin' leads to sex
and then there is no mystery left

And it's bad news
I don't blame you
I do the same thing
I get lonely too

And you're bad news
My friends tell me to leave you
That you're bad news, bad news, bad news

That you're bad news
Baby you're bad news
and you're bad news
Baby you're bad news
and you're bad news
I don't care I like you
and you're bad news
I don't care I like you
I like you

Thursday, October 12, 2006

Oscar Wilde - The Nightingale and the Rose

"She said that she would dance with me if I brought her red roses," cried the young Student; "but in all my garden there is no red rose."

From her nest in the holm-oak tree the Nightingale heard him, and she looked out through the leaves, and wondered.

"No red rose in all my garden!" he cried, and his beautiful eyes filled with tears. "Ah, on what little things does happiness depend! I have read all that the wise men have written, and all the secrets of philosophy are mine, yet for want of a red rose is my life made wretched."

"Here at last is a true lover," said the Nightingale. "Night after night have I sung of him, though I knew him not: night after night have I told his story to the stars, and now I see him. His hair is dark as the hyacinth-blossom, and his lips are red as the rose of his desire; but passion has made his face like pale ivory, and sorrow has set her seal upon his brow."

"The Prince gives a ball to-morrow night," murmured the young Student, "and my love will be of the company. If I bring her a red rose she will dance with me till dawn. If I bring her a red rose, I shall hold her in my arms, and she will lean her head upon my shoulder, and her hand will be clasped in mine. But there is no red rose in my garden, so I shall sit lonely, and she will pass me by. She will have no heed of me, and my heart will break."

"Here indeed is the true lover," said the Nightingale. "What I sing of, he suffers - what is joy to me, to him is pain. Surely Love is a wonderful thing. It is more precious than emeralds, and dearer than fine opals. Pearls and pomegranates cannot buy it, nor is it set forth in the marketplace. It may not be purchased of the merchants, nor can it be weighed out in the balance for gold."

"The musicians will sit in their gallery," said the young Student, "and play upon their stringed instruments, and my love will dance to the sound of the harp and the violin. She will dance so lightly that her feet will not touch the floor, and the courtiers in their gay dresses will throng round her. But with me she will not dance, for I have no red rose to give her"; and he flung himself down on the grass, and buried his face in his hands, and wept.

"Why is he weeping?" asked a little Green Lizard, as he ran past him with his tail in the air.

"Why, indeed?" said a Butterfly, who was fluttering about after a sunbeam.

"Why, indeed?" whispered a Daisy to his neighbour, in a soft, low voice.

"He is weeping for a red rose," said the Nightingale.

"For a red rose?" they cried; "how very ridiculous!" and the little Lizard, who was something of a cynic, laughed outright.

But the Nightingale understood the secret of the Student's sorrow, and she sat silent in the oak-tree, and thought about the mystery of Love.

Suddenly she spread her brown wings for flight, and soared into the air. She passed through the grove like a shadow, and like a shadow she sailed across the garden.

In the centre of the grass-plot was standing a beautiful Rose-tree, and when she saw it she flew over to it, and lit upon a spray.

"Give me a red rose," she cried, "and I will sing you my sweetest song."

But the Tree shook its head.

"My roses are white," it answered; "as white as the foam of the sea, and whiter than the snow upon the mountain. But go to my brother who grows round the old sun-dial, and perhaps he will give you what you want."

So the Nightingale flew over to the Rose-tree that was growing round the old sun-dial.

"Give me a red rose," she cried, "and I will sing you my sweetest song."

But the Tree shook its head.

"My roses are yellow," it answered; "as yellow as the hair of the mermaiden who sits upon an amber throne, and yellower than the daffodil that blooms in the meadow before the mower comes with his scythe. But go to my brother who grows beneath the Student's window, and perhaps he will give you what you want."

So the Nightingale flew over to the Rose-tree that was growing beneath the Student's window.

"Give me a red rose," she cried, "and I will sing you my sweetest song."

But the Tree shook its head.

"My roses are red," it answered, "as red as the feet of the dove, and redder than the great fans of coral that wave and wave in the ocean-cavern. But the winter has chilled my veins, and the frost has nipped my buds, and the storm has broken my branches, and I shall have no roses at all this year."

"One red rose is all I want," cried the Nightingale, "only one red rose! Is there no way by which I can get it?"

"There is away," answered the Tree; "but it is so terrible that I dare not tell it to you."

"Tell it to me," said the Nightingale, "I am not afraid."

"If you want a red rose," said the Tree, "you must build it out of music by moonlight, and stain it with your own heart's-blood. You must sing to me with your breast against a thorn. All night long you must sing to me, and the thorn must pierce your heart, and your life-blood must flow into my veins, and become mine."

"Death is a great price to pay for a red rose," cried the Nightingale, "and Life is very dear to all. It is pleasant to sit in the green wood, and to watch the Sun in his chariot of gold, and the Moon in her chariot of pearl. Sweet is the scent of the hawthorn, and sweet are the bluebells that hide in the valley, and the heather that blows on the hill. Yet Love is better than Life, and what is the heart of a bird compared to the heart of a man?"

So she spread her brown wings for flight, and soared into the air. She swept over the garden like a shadow, and like a shadow she sailed through the grove.

The young Student was still lying on the grass, where she had left him, and the tears were not yet dry in his beautiful eyes.

"Be happy," cried the Nightingale, "be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty. Flame- coloured are his wings, and coloured like flame is his body. His lips are sweet as honey, and his breath is like frankincense."

The Student looked up from the grass, and listened, but he could not understand what the Nightingale was saying to him, for he only knew the things that are written down in books.

But the Oak-tree understood, and felt sad, for he was very fond of the little Nightingale who had built her nest in his branches.

"Sing me one last song," he whispered; "I shall feel very lonely when you are gone."

So the Nightingale sang to the Oak-tree, and her voice was like water bubbling from a silver jar.

When she had finished her song the Student got up, and pulled a note-book and a lead-pencil out of his pocket.

"She has form," he said to himself, as he walked away through the grove - "that cannot be denied to her; but has she got feeling? I am afraid not. In fact, she is like most artists; she is all style, without any sincerity. She would not sacrifice herself for others. She thinks merely of music, and everybody knows that the arts are selfish. Still, it must be admitted that she has some beautiful notes in her voice. What a pity it is that they do not mean anything, or do any practical good." And he went into his room, and lay down on his little pallet-bed, and began to think of his love; and, after a time, he fell asleep.

And when the Moon shone in the heavens the Nightingale flew to the Rose-tree, and set her breast against the thorn. All night long she sang with her breast against the thorn, and the cold crystal Moon leaned down and listened. All night long she sang, and the thorn went deeper and deeper into her breast, and her life-blood ebbed away from her.

She sang first of the birth of love in the heart of a boy and a girl. And on the top-most spray of the Rose-tree there blossomed a marvellous rose, petal following petal, as song followed song. Pale was it, at first, as the mist that hangs over the river - pale as the feet of the morning, and silver as the wings of the dawn. As the shadow of a rose in a mirror of silver, as the shadow of a rose in a water-pool, so was the rose that blossomed on the topmost spray of the Tree.

But the Tree cried to the Nightingale to press closer against the thorn. "Press closer, little Nightingale," cried the Tree, "or the Day will come before the rose is finished."

So the Nightingale pressed closer against the thorn, and louder and louder grew her song, for she sang of the birth of passion in the soul of a man and a maid.

And a delicate flush of pink came into the leaves of the rose, like the flush in the face of the bridegroom when he kisses the lips of the bride. But the thorn had not yet reached her heart, so the rose's heart remained white, for only a Nightingale's heart's-blood can crimson the heart of a rose.

And the Tree cried to the Nightingale to press closer against the thorn. "Press closer, little Nightingale," cried the Tree, "or the Day will come before the rose is finished."

So the Nightingale pressed closer against the thorn, and the thorn touched her heart, and a fierce pang of pain shot through her. Bitter, bitter was the pain, and wilder and wilder grew her song, for she sang of the Love that is perfected by Death, of the Love that dies not in the tomb.

And the marvellous rose became crimson, like the rose of the eastern sky. Crimson was the girdle of petals, and crimson as a ruby was the heart.

But the Nightingale's voice grew fainter, and her little wings began to beat, and a film came over her eyes. Fainter and fainter grew her song, and she felt something choking her in her throat.

Then she gave one last burst of music. The white Moon heard it, and she forgot the dawn, and lingered on in the sky. The red rose heard it, and it trembled all over with ecstasy, and opened its petals to the cold morning air. Echo bore it to her purple cavern in the hills, and woke the sleeping shepherds from their dreams. It floated through the reeds of the river, and they carried its message to the sea.

"Look, look!" cried the Tree, "the rose is finished now"; but the Nightingale made no answer, for she was lying dead in the long grass, with the thorn in her heart.

And at noon the Student opened his window and looked out.

"Why, what a wonderful piece of luck!" he cried; "here is a red rose! I have never seen any rose like it in all my life. It is so beautiful that I am sure it has a long Latin name"; and he leaned down and plucked it.

Then he put on his hat, and ran up to the Professor's house with the rose in his hand.

The daughter of the Professor was sitting in the doorway winding blue silk on a reel, and her little dog was lying at her feet.

"You said that you would dance with me if I brought you a red rose," cried the Student. "Here is the reddest rose in all the world. You will wear it to-night next your heart, and as we dance together it will tell you how I love you."

But the girl frowned.

"I am afraid it will not go with my dress," she answered; "and, besides, the Chamberlain's nephew has sent me some real jewels, and everybody knows that jewels cost far more than flowers."

"Well, upon my word, you are very ungrateful," said the Student angrily; and he threw the rose into the street, where it fell into the gutter, and a cart-wheel went over it.

"Ungrateful!" said the girl. "I tell you what, you are very rude; and, after all, who are you? Only a Student. Why, I don't believe you have even got silver buckles to your shoes as the Chamberlain's nephew has"; and she got up from her chair and went into the house.

"What a silly thing Love is," said the Student as he walked away. "It is not half as useful as Logic, for it does not prove anything, and it is always telling one of things that are not going to happen, and making one believe things that are not true. In fact, it is quite unpractical, and, as in this age to be practical is everything, I shall go back to Philosophy and study Metaphysics."

So he returned to his room and pulled out a great dusty book, and began to read.

Monday, October 02, 2006

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